Past and present of the «pensione» Annalena in Florence

Past and present of the «pensione» Annalena in Florence

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The story of Annalena (an orphan aristocrat adopted by Cosme de ‘Medici) and her palace is told in Niccolò Machiavelli´s Florentine Stories at the beginning of the 16th century. Her palace of Via Romana (a few steps from the Palazzo Pitti) was Cosme´s gift as she married Baldaccio di Bicci de ‘Medici. After Bicci´s murder, Annalena converted the building into a convent, to become later a casino, a luxury brothel, and finally, in 1919, a boarding house. Since then, it’s been the favourite of foreign travellers, musicians, poets, artists and actors, as Annalena displays through the furniture its splendid and decadent past. The Nobel Prize for literature Eugenio Montale used to stay here in the 30s; he shared «his room» with his lover when attending occasional meetings at the Crusca Academy in Florence. Prices depend on the season, so one double room with terrace could cost between 60 and 140 euros.
Hotel Annalena – Via Romana, 34, Florence, 50125, Italy

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Gian Gastone de’ Medici, the last homosexual of the Medici dynasty

Gian Gastone de’ Medici, the last homosexual of the Medici dynasty

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The last sovereign ruler of the Medici dynasty, Gian Gastone (1671-1737), Grandson of Ferdinando II, reigned fourteen years – from 1723 to 1737. He was a lonely pubescent man who spent most of his time isolated in the Boboli Garden, concentrated in his studies on flowers and plants and his collection of dainty, delicate objects and things. It is said that because of his homosexuality, he was affected with a deep melancholy. He was the second in the hereditary line since the first soon of the Grand Duke was Ferdinando. When Ferdinando died without heirs in 1713, Gian Gastone inherited the throne. In 1697 and for alliances and dynasties reasons, Gian Gastone was forced to marry a German-Bohemian princess, Anna Maria Franziska. The matrimony was a calamity from the beginning due to the lack of comprehension combined with a high degree of repellency and depressed resignedness on part of Gian Gastone. The marriage had no children thus consequently the option of a Medici heir vanished.

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María Muñoz´s Florence

María Muñoz´s Florence

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Trapped time in Florence

I have returned to Florence after almost thirty years. Although I had no corporeal memories of my presence in the different places, I did have visual memories, probably because Florence is one of the most photographed cities on the planet, and is part of the collective memory of many, at least in the West. My studies in art history and the monographs I did about Leonardo, Florentine himself, and Michelangelo, whose artistic life began in the Florence of the Medici, might have help to keep that memory. Apart from the spatial and visual experience, the latter of unquestionable beauty, which, according to Stendhal, even hurts; there is another characteristic that in my opinion, is explicitly Florentine. And I do not mean the public sculptures, nor the symmetrical facades of the churches and palaces, nor the marbles of different tonalities, neither the perspectives of their perfectly cobbled streets.

I’m referring to the ‘trapped time’.

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Christine De Melo´s Florence

Christine De Melo´s Florence

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My Portuguese parents arrived in the US with nothing but the will to succeed. I fell in love with art, history, and architecture at a young age and longed to see the works of Michelangelo, Leonardo da Vinci, Donatello, and Botticelli. Being firstborn to poor immigrants meant that I grew up with few prospects—Italy may as well have been the moon.…

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Forte di Belvedere: refuge of the Medici and viewpoint of Florence

Forte di Belvedere: refuge of the Medici and viewpoint of Florence

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Built at the end of the 16th century by order of Fernando I de’ Medici, Forte Belvedere is the common name of the fortress of Santa Maria in San Giorgio del Belvedere, one of the two fortresses of Florence. This building is also a popular panoramic viewpoint and a valuable architectural site of the city. The final move of the grand ducal court from the Palazzo Vecchio to the Palazzo Pitti undoubtedly influenced the decision to build the new fortress, near the wall surrounding the Boboli gardens adjacent to the Pitti Palace. In case of any danger, the prince and the court could quickly reach a fortified refuge from which they could still rule the city.

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