A visionary artist whose multidisciplinary practice encompasses art, social and life sciences, Tomás Saraceno creates immersive works and participatory experiences that suggest a new way of living in our world by forging connections with such non-human phenomena as spiders, dust particles and plants, which become players in his work and metaphors of the universe. …
Palazzo Strozzi celebrates Natalia Goncharova, a leading female artist of the 20th century, in a major retrospective. The exhibition explores her unconventional life and career, presenting her rich and multifaceted artistic output with masterpieces from significant international collections by renowned artists including Gauguin, Matisse, Picasso, Balla and Boccioni.
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The first comprehensive retrospective devoted to Andrea del Verrocchio (1435-1488) will be on display in Florence from March 9 to July 14 at Palazzo Strozzi, with an accompanying presentation at the Museo Nazionale del Bargello. Verrocchio, Master of Leonardo brings together masterpieces by Verrocchio from collections around the world, contextualized by works from his forefathers and peers, as well as by the pupils he worked intensively with, including Leonardo da Vinci, Pietro Perugino, Domenico Ghirlandaio and Sandro Botticelli.…
Florence is alive and wants to express itself. Fondazione Palazzo Strozzi presents a retrospective of world-wide acclaimed performance artist Marina Abramović. The show opens its doors on September 21, the same day that L’Eredità delle Donne festival begins. During four months, till January 20, 2019, Florence and particularly the Palazzo Strozzi hosts an exhibition that pays tribute to the fifty-year career of one of the heavyweights of Action Art. She is the first woman that has a “solo exhibition” at the Palazzo Strozzi.…
Until 22nd July 2018, Palazzo Strozzi is hosting the exhibition Dawn of a Nation. From Guttuso to Fontana and Schifano, a truly mesmerising exploration of art, politics and society in Italy from the 1950s to the protest years in the late ’60s, with eighty works of art by such masters as Renato Guttuso, Lucio Fontana, Alberto Burri, Emilio Vedova, Piero Manzoni, Mario Schifano, Mario Merz and Michelangelo Pistoletto. The exhibition, curated by Luca Massimo Barbero, illustrates the effervescence of Italian culture after World War II, the years of the so-called “economic miracle” that marked a major transformation in Italian society, up until the fateful year of 1968. The exhibition takes visitors on a journey setting out from the diatribe between Realism and Abstraction, continuing on to the triumph of Informal Art and leading through the images, gestures and figures of Pop Art in strident juxtaposition with the experimental vision of monochromatic painting, right up to the language of Arte Povera and of Conceptual Art.…
An experimental approach totally unrelated to the legacy of earlier modernist trends, but closely related to the renewal taking place in other areas of art, began to spread to architecture in Europe in the early 1960s. For the very first time the exhibition «Radical Utopias» celebrates the outstanding creative season enjoyed by the radical movement in Florence in the 60s and 70s. The exhibition brings together in a single venue the visionary work of such groups and figures as 9999, Archizoon, Remo Buti, Gianni Pettena, Superstudio, UFO and Zziggurat. A kaleidoscopic dialogue between objects of design, videos, installations, performances and narratives illustrating another possible world: a critical utopia that had the merit of smashing the status quo of the period, turning Florence into the focal point of a revolution in thinking that had a deep impact on the development of art at the global level.
Until January 21, 2018, at Strozzina-Palazzo Strozzi
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Till January 21, 2018, Palazzo Strozzi is celebrating the art of the 16th century in Florence, an era of outstanding cultural and intellectual talent that was to spawn a heated debate between the «modern manner» and the Counter-Reformation, between the art patronage of the Medici and the Church. Curated by Carlo Falciano and Antonio Natali, the exhibition showcases over seventy works of painting and sculpture, seventeen of which have been restored for the occasion, and hosts pieces by Andrea del Sarto, Michelangelo, Pontormo, Rosso Fiorentino, Bronzino, Vasari, Jacopo Zucchi and Giambologna, to name but a few of those involved in the commissions for the Studio of Francesco I de’ Medici in Palazzo Vecchio and the Tribune of the Uffizi.
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