Florence is a myth. It is a place where scholars, inventors, artists, and genius have changed the world and invented it as we know it today. The legacy of Florence is modernity. More than a place, Florence makes the world aware of a time flow between ancient time, present and future, with no limits. The buildings described below show the city commitment to the architectural avant-garde, also known as Modern Style.…
Founded in 1860, the family run Gallery-Studio Frilli quickly achieved international recognition for its marble replicas of classical, Renaissance and neoclassical sculptures. Indeed, walking through its comfortable rooms one feels in a Renaissance theme park. The sculptures seem just about to talk. Conceived with the purpose of decorating ostentatious residences in Europe, America and Asia, Frilli has the largest collection of models derived directly from the original pieces, museums and monuments from the Western world. That is why the works are considered real replicas and not mere copies. The family also created the bronze replicas at Lorenzo Ghiberti´s Gates of Paradise in the baptistery of Florence. Perfect for an LSD trip.
Galleria Frilli -Via dei Fossi, 26, 50123 Florence FI
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The artistic discipline named “commesso” or Florentine mosaic made with semiprecious stones emerged in Florence in the 16th century. As could be expected, the Medici family was a great promoter of this new artistic manifestation. Using the traditional technique of the Romanesque mosaic, the “commesso” added interspersed gemstones with highly aesthetic results, very similar to those of a real painting. Each mosaic is handmade in the laboratory following the traditional method, which allows to maintain the authenticity of the technique and enhance the natural colour of each stone. To complete a surface equivalent to a DIN A3 size, three or four years of craft work are needed. …
Florence is a city that kills through strong emotions. There is no need to be accompanied, it is enough with ourselves and our senses. As Singer — the protagonist of the novel The Heart is a Lonely Hunter by Carson McCullers —, when I wander anonymously among the whole crowd during hours through the streets of the city, it always seems that I am the only lonely person. However, it is not adequate to attribute to lonely souls the sorrow of an unhappy life. As I see, Florence is, above all, a destination for couples or groups; few people travel alone. It is the human being’s lifeguard against his own inner isolation.…
The soul of David spreads throughout Florence as a ubiquitous and sheltering presence. All the cities have their symbol: the Statue of Liberty, the musicians of Bremen, the Berlin bear, the Eiffel Tower, the cock of Barcelos, the Christ of Corcovado, the Big Ben … The flower of the lily shares with the David the leadership of popularity in the city of the Renaissance.…
Filippo Brunelleschi marked a milestone in the history of architecture with the construction of the cupola that crowns the Cathedral of Santa Maria del Fiore in Florence, a prototype of Renaissance architecture — and key to the development of modern architecture — which also marks the beginning of this celebrated cultural movement in Italy, of which Florence continues to be an undeniable ambassador, in all fields of art, more than five centuries later. Moreover, the capital of Tuscany also treasures other domes worth of mention, such as the Medicean Chapels, the Basilica of San Lorenzo or the imposing synagogue of Florence, among many more of smaller size.
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Beyond the streets crowded by the omnipresent tourists looking for Florentine gems from the Middle Ages and the Renaissance, there are less exploited corners of great historical and artistic richness as the Brancacci Chapel, also known as the «Sistine Chapel of the first Renaissance». The paintings on the walls are among the most popular and influential frescoes at the time. They are distributed in two horizontal levels along the chapel, which is part of the Carmine church and convent, founded in Florence in the mid-thirteenth century by a group of Carmelite monks from Pisa. Located in Piazza del Carmine (Florence-Oltrarno), the Cappella Brancacci is one of the oldest monumental buildings in Florence. The frescoes illustrating the life of Saint Peter are masterpieces by Masaccio and Masolino, painted between 1425 and 1427, just in the early years of the Florentine Renaissance. Later on, Filippino Lippi was called to complete Masaccio’s chapel decoration, which had been left unfinished due to Masaccio’s death in 1428.
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It is hard to say how many times a day I pass by and around the Palazzo Medici-Riccardi in Florence — I live a few steps away from this Renaissance building, by the way, one of the most beautiful and splendorous of Florence. Besides the proximity, it took long until finally, I decided to visit it. Sometimes closeness and everydayness make us ignore the cultural gems of a city, simply because they are there and one thinks there is plenty of time to enjoy them in the future.…
Manufacturing bags, belts, wallets and accessories in leather since 1968 as a real brand, Gianfranco Lotti is deeply anchored in this Florentine heritage, keeping the memory to create modernity that lasts in the future. Gianfranco Lotti has been artfully crafting bags since the age of 14 (1957) perpetuating the art of crafting leather as he learned from his masters. The keylock is the symbol featured on Gianfranco Lotti’s bags and products and is a signature of all the collections. It casts back to an ancient emblem of the Medici family in Florence. The keylock materializes the immaterial link between the ancient art of craft, the respect of the heritage and the openness to the future.…
Florence is not only synonymous with the Middle Ages and Renaissance. Its streets hide other equally valuable treasures that no one expects to find, as samples of the Liberty style, the Florentine art nouveau of the late nineteenth and early twentieth centuries. It is quite a decorative style in wrought iron, with floral and animal motifs, linear and curved forms. The Liberty patterns found opposition, hostility and criticism in Florence, as it was believed that these buildings broke the architectural uniformity of the city.
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