Florence, in the city of David

Florence, in the city of David

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The soul of David spreads throughout Florence as a ubiquitous and sheltering presence. All the cities have their symbol: the Statue of Liberty, the musicians of Bremen, the Berlin bear, the Eiffel Tower, the cock of Barcelos, the Christ of Corcovado, the Big Ben … The flower of the lily shares with the David the leadership of popularity in the city of the Renaissance.…

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Monica Magnani’s Florence

Monica Magnani’s Florence

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Se qualcuno mi dice ‘Firenze’ la prima cosa che mi viene in mente è fuggire via. Firenze, a volte, io la guardo e mi sembra diventata un luogo comune, un cliché inventato per far contenti i turisti. Firenze per la nave da crociera è il percorso di due ore, per gli amanti clandestini è la città di un fine-settimana, per le famiglie sono i musei delle vacanze di Pasqua, per le gite scolastiche è il capitolo sul Rinascimento, per gli animi malinconici è lo struggimento della sindrome di Stendhal. Io, da questa Firenze, ho continuamente voglia di scappare e forse mi piace proprio perché, poi, quando sono fuggita via dai luoghi comuni, è così bello aver nostalgia di questa città! Firenze, per chi ha voglia di scappare, ha molte vie di fuga: per alcune ci vuole un mezzo di trasporto, per altre, invece, basta un paio di scarpe comode.

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13 examples of modern architecture in Florence

13 examples of modern architecture in Florence

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Florence is a myth. It is a place where scholars, inventors, artists, and genius have changed the world and invented it as we know it today. The legacy of Florence is modernity. More than a place, Florence makes the world aware of a time flow between ancient time, present and future, with no limits. The buildings described below show the city commitment to the architectural avant-garde, also known as Modern Style.…

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Il Liberty fiorentino: the Florentine art nouveau

Il Liberty fiorentino: the Florentine art nouveau

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Florence is not only synonymous with the Middle Ages and Renaissance. Its streets hide other equally aesthetic treasures that no one expects to find, as samples of the Liberty style, the Florentine art nouveau of the late nineteenth and early twentieth centuries. It is quite a decorative style in wrought iron, with floral and animal motifs, linear and curved forms. The Liberty patterns found in Florence opposition, hostility and criticism, as it was believed that these buildings broke the architectural uniformity of the city. The pressure was such that the authorities of the time prohibited this style in the oldest centre. Most of these buildings were designed by Giovanni Michelazzi. He was the highest representative of the Liberty Fiorentino who opposed the local ban by wielding freedom of expression. With his death in 1920, such architectural style was interrupted in Florence.

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Russian Orthodox Church of Florence celebrates Orthodox Easter tonight

Russian Orthodox Church of Florence celebrates Orthodox Easter tonight

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Modern buildings stand out in Florence more than anywhere else, since most of the historic centre buildings come from the Middle Ages and the Renaissance. Built in Russian art nouveau style between 1899 and 1903 and declared Historical Monument, the Russian Orthodox Church was recently restored. Its unusual facade is characterized by its onion domes. This temple is the first Russian religious building erected in the Italian territory, thanks to the efforts of the parish priest Vladimir Levickij, to the donations of Demidoff family, some parishioners, and nothing more and nothing less Emperor Nicholas II.

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«Verrocchio, Master of Leonardo,» retrospective at Palazzo Strozzi

«Verrocchio, Master of Leonardo,» retrospective at Palazzo Strozzi

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The first comprehensive retrospective devoted to Andrea del Verrocchio (1435-1488) will be on display in Florence from March 9 to July 14 at Palazzo Strozzi, with an accompanying presentation at the Museo Nazionale del Bargello. Verrocchio, Master of Leonardo brings together masterpieces by Verrocchio from collections around the world, contextualized by works from his forefathers and peers, as well as by the pupils he worked intensively with, including Leonardo da Vinci, Pietro Perugino, Domenico Ghirlandaio and Sandro Botticelli.

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Domes of Florence (not only Brunelleschi’s)

Domes of Florence (not only Brunelleschi’s)

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Filippo Brunelleschi marked a milestone in the history of architecture with the construction of the cupola that crowns the Cathedral of Santa Maria del Fiore in Florence, a prototype of Renaissance architecture — and key to the development of modern architecture — which also marks the beginning of this celebrated cultural movement in Italy, of which Florence continues to be an undeniable ambassador, in all fields of art, more than five centuries later. Moreover, the capital of Tuscany also treasures other domes worth of mention, such as the Medicean Chapels, the Basilica of San Lorenzo or the imposing synagogue of Florence, among many more of smaller size.

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Cloisters of Florence: the great scape

Cloisters of Florence: the great scape

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Florence does not stand as a vulgar Renaissance theme park, but rather as an infinite source of beauty and art, an open-air museum in which emotions grow by every minute. As I walk through the cloisters of Santa Maria Novella, San Lorenzo, San Marcos, Santa Croce or Santo Spirito, peace and solitude seem very tangible to me. However, what most hypnotizes me is rather more radical. In these religious courtyards, with their gallery portrayed on all four sides, it is easy to feel as if you had left this world, not minding at all how to return, while you are busy imagining your next sins and who will be part of them.…

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“BANKSY – This is not a photo opportunity,» Banksy at Palazzo Medici Riccardi

“BANKSY – This is not a photo opportunity,» Banksy at Palazzo Medici Riccardi

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There is no doubt that if Banksy had lived during the Renaissance in Florence, the Medici would have been his patrons — they were the Maecenas of most of the art produced in Florence at that time. Any case, supposedly, Banksy artworks do not belong to anyone, but to the cities public space where he intervenes. However, the system devours everything, yet the supposed «anti-system» expressions as the graffiti made by Banksy. A proof of this is the exhibition organized at Palazzo Medici Riccardi, opened until February 24, 2019. Curated by Gianluca Marziani and Stefano S. Antonelli, the show brings together twenty images of Banksy’s most iconic pieces, those that won world fame due to its thematic: capitalism, war, surveillance, or massive migratory movements.…

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Studio Musivo Lastrucci: masters of the Florentine mosaic, the art of «painting with stones»

Studio Musivo Lastrucci: masters of the Florentine mosaic, the art of «painting with stones»

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The artistic discipline named “commesso” or Florentine mosaic made with semiprecious stones emerged in Florence in the 16th century. As could be expected, the Medici family was a great promoter of this new artistic manifestation. Using the traditional technique of the Romanesque mosaic, the “commesso” added interspersed gemstones with highly aesthetic results, very similar to those of a real painting. Each mosaic is handmade in the laboratory following the traditional method, which allows to maintain the authenticity of the technique and enhance the natural colour of each stone. To complete a surface equivalent to a DIN A3 size, three or four years of craft work are needed. …

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