“BANKSY – This is not a photo opportunity,» Banksy at Palazzo Medici Riccardi

“BANKSY – This is not a photo opportunity,» Banksy at Palazzo Medici Riccardi

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There is no doubt that if Banksy had lived during the Renaissance in Florence, the Medici would have been his patrons — they were the Maecenas of most of the art produced in Florence at that time. Any case, supposedly, Banksy artworks do not belong to anyone, but to the cities public space where he intervenes. However, the system devours everything, yet the supposed «anti-system» expressions as the graffiti made by Banksy. A proof of this is the exhibition organized at Palazzo Medici Riccardi, opened until February 24, 2019. Curated by Gianluca Marziani and Stefano S. Antonelli, the show brings together twenty images of Banksy’s most iconic pieces, those that won world fame due to its thematic: capitalism, war, surveillance, or massive migratory movements.…

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Studio Musivo Lastrucci: masters of the Florentine mosaic, the art of «painting with stones»

Studio Musivo Lastrucci: masters of the Florentine mosaic, the art of «painting with stones»

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The artistic discipline named “commesso” or Florentine mosaic made with semiprecious stones emerged in Florence in the 16th century. As could be expected, the Medici family was a great promoter of this new artistic manifestation. Using the traditional technique of the Romanesque mosaic, the “commesso” added interspersed gemstones with highly aesthetic results, very similar to those of a real painting. Each mosaic is handmade in the laboratory following the traditional method, which allows to maintain the authenticity of the technique and enhance the natural colour of each stone. To complete a surface equivalent to a DIN A3 size, three or four years of craft work are needed. …

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Giulia Gianfranchi’s Florence

Giulia Gianfranchi’s Florence

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Firenze, Florence, Florenz, antica Florentia castrum romano del 59 a. C … Comunque tu la pronunci, lei evoca da sempre nel mio cuore un senso di libertà e scoperta da quando ero bambina. Appena potevo, scappavo da Milano e venivo qui, nella mia Toscana, a trovare mia zia Marta. Passavo giornate ad osservare compiaciuta i turisti mangiare di gusto, ad ascoltarli in tutti i loro strani linguaggi, gironzolavo per strada col naso all’insu … Infilandomi in ogni vicolo, meglio se più stretto, e nei negozietti di artigiani. Distratta da architetture, sculture, pitture …

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Palazzo Guadagni, aperitif deluxe in Florence

Palazzo Guadagni, aperitif deluxe in Florence

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Rooftop views are unparalleled in Florence, proof of it is the rooftop garden bar at the Hotel Palazzo Guadagni. This ancient palace in the Oltrarno area has a privileged view from the loggia, which turns the palazzo’s terrace garden bar into a marvellous setting for having a red wine or a cocktail in Florence. It is a novel space neither overly exploited nor well known in Florence yet, thus you can take an aperitif as a local and without the need of a previous reservation. The views, the atmosphere and the service are simply unique and it is the perfect spot to amaze dates and visitors.…

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Cappella Brancacci, the Sistine Chapel of Florence

Cappella Brancacci, the Sistine Chapel of Florence

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Beyond the streets crowded by the omnipresent tourists looking for Florentine gems from the Middle Ages and the Renaissance, there are less exploited corners of great historical and artistic richness as the Brancacci Chapel, also known as the «Sistine Chapel of the first Renaissance». The paintings on the walls are among the most popular and influential frescoes at the time. They are distributed in two horizontal levels along the chapel, which is part of the Carmine church and convent, founded in Florence in the mid-thirteenth century by a group of Carmelite monks from Pisa. Located in Piazza del Carmine (Florence-Oltrarno), the Cappella Brancacci is one of the oldest monumental buildings in Florence. The frescoes illustrating the life of Saint Peter are masterpieces by Masaccio and Masolino, painted between 1425 and 1427, just in the early years of the Florentine Renaissance. Later on, Filippino Lippi was called to complete Masaccio’s chapel decoration, which had been left unfinished due to Masaccio’s death in 1428.

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History of art according to Florence or the Renaissance chapter at high school

History of art according to Florence or the Renaissance chapter at high school

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History of art was, without a doubt, my favourite subject at high school. By then, Italy was for me a distant and unknown country, it seemed so far as in another planet, and I did not even know what Tuscany meant or where in the map Florence was. At the age of 17, everything seemed so phantasmagorical and unreal … How rare, the unpredictable ways to which life sometimes leads. Especially, to those who try to escape from routine. I then loved the art history classes taught by María Luisa, always conducted in the dark. During those hours, I felt invisible and safe (at that time, my face was plagued by acne). We contemplated slides explained with genuine devotion by the teacher, and took notes of things that I thought I would never see on site. María Luisa inoculated me with the love for art and subtly with a passion for Florentine wonders. Today, 24 years later, I do not even remember her surname.

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Galleria Frilli, the legendary studio and sculpture gallery of Florence

Galleria Frilli, the legendary studio and sculpture gallery of Florence

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Founded in 1860, the family run Gallery-Studio Frilli quickly achieved international recognition for its marble replicas of classical, Renaissance and neoclassical sculptures. Indeed, walking through its comfortable rooms one feels in a Renaissance theme park. The sculptures seem just about to talk. Conceived with the purpose of decorating ostentatious residences in Europe, America and Asia, Frilli has the largest collection of models derived directly from the original pieces, museums and monuments from the Western world. That is why the works are considered real replicas and not mere copies. The family also created the bronze replicas at Lorenzo Ghiberti´s Gates of Paradise in the baptistery of Florence. Perfect for an LSD trip.
Galleria Frilli -Via dei Fossi, 26, 50123 Florence FI 

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Berlin vs. Florence: a perfect binomial?

Berlin vs. Florence: a perfect binomial?

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I have always been keen on extremes. I consider myself excessive and I have never been able to recognise the so-called «medium term», so linked in my opinion to mediocrity rather than moderation. I would never describe myself as a restrained person, neither in my actions, nor in my passions, nor in my thoughts or feelings. A bit cyclothymic, too, as I sense everything with absolute bipolar intensity. Although apparently Berlin and Florence do not have much to do with each other, they are two cities of extremes, thus matching each other. In multiple ways, the two cities stand for the avant-garde as well as for Classicism, so it is with contemporary art in Berlin and the Renaissance of Florence. The modernity of the German capital and the Tuscan tradition; the spiritual chaos of Berlin and the delicacy of Florence; Berlin decadence and the Florentine refinement; the debauchery in Berlin and the Florentine composure. To mention just a few aspects …

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Florence: passion and enthusiasm

Florence: passion and enthusiasm

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All passion springs from enthusiasm. Florence rescued me from neglecting feelings, an attitude that (I do not recall exactly when) came from falling lost in Berlin. Florence meant a safe net to avoid the death of the soul and helped me arise from that terrible fall. In the Tuscan capital a revolution took place inside of me. Indeed, a Renaissance. Thus, I now live here with all naturalness, feeling calm and relaxed. In Florence the days do not seem so endless, there is always something to do, even if it’s just a walk among Renaissance treasures, only to come back home later relieved. To enjoy Florence, one must be Epicurean, aesthete and eclectic. To this city, where the vicissitudes of my destiny have brought me, I will definitely elaborate a whole dictionary of affectionate expressions, because I haven´t yet met any Italian who speaks well, and with true love, about their country.

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Fra Angelico’s frescoes: the treasure of the San Marco Museum

Fra Angelico’s frescoes: the treasure of the San Marco Museum

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This museum occupies an extensive area of the Dominican monastery of San Marco and still retains its original atmosphere. Founded in 1436 and designed by the architect Michelozzo, the monastery played an important role in the religious and cultural life of Florence. The fame of the museum is mainly due to the paintings of Beato Angelico (Blessed angelic one), one of the most representative painters of the Renaissance who embellished with its frescoes various rooms of the building, most remarkably the cells of the monks. A wonder to view also here:
Practical info

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