“Carlo Cantini. Between realism and imagination,” photo exhibition at Villa Bardini, Florence

“Carlo Cantini. Between realism and imagination,” photo exhibition at Villa Bardini, Florence

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From the artistic to the bucolic; from fashion photography to everyday documentary snapshots, this is the artistic journey of Carlo Cantini, a contemporary Florentine photographer and one of the best Italian photographers of the 20th century. On display until March 17 at Villa Bardini, Carlo Cantini. Between Realism and Imagination exhibits seventy photographs, inspired by Berengo Gardin and Mario Giacomelli, which document some of Florence’s most significant events of the last fifty years of the past century. His photographs document Florentine streets and countryside everyday scenes. Besides that, Cantini´s work is connected to the Pitti fashion shows, theater, contemporary art, enchanted gardens and allegorical nymphs, classical nude paying tribute to sculpture, and architecture. All in all, Cantini´s œuvre is a constant search for equilibrium between realism and imagination.

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“Verrocchio, Master of Leonardo,” retrospective at Palazzo Strozzi

“Verrocchio, Master of Leonardo,” retrospective at Palazzo Strozzi

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The first comprehensive retrospective devoted to Andrea del Verrocchio (1435-1488) will be on display in Florence from March 9 to July 14 at Palazzo Strozzi, with an accompanying presentation at the Museo Nazionale del Bargello. Verrocchio, Master of Leonardo brings together masterpieces by Verrocchio from collections around the world, contextualized by works from his forefathers and peers, as well as by the pupils he worked intensively with, including Leonardo da Vinci, Pietro Perugino, Domenico Ghirlandaio and Sandro Botticelli.

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Mimosa blosson on the International Women’s Day in Italy: La Festa della Donna

Mimosa blosson on the International Women’s Day in Italy: La Festa della Donna

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The 8th of March is the International Women’s Day or, as it’s more commonly called in Italy, la Festa della Donna, where the importance of women is celebrated by the giving and receiving of mimosa blossom.

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Domes of Florence (not only Brunelleschi’s)

Domes of Florence (not only Brunelleschi’s)

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Filippo Brunelleschi marked a milestone in the history of architecture with the construction of the cupola that crowns the Cathedral of Santa Maria del Fiore in Florence, a prototype of Renaissance architecture — and key to the development of modern architecture — which also marks the beginning of this celebrated cultural movement in Italy, of which Florence continues to be an undeniable ambassador, in all fields of art, more than five centuries later. Moreover, the capital of Tuscany also treasures other domes worth of mention, such as the Medicean Chapels, the Basilica of San Lorenzo or the imposing synagogue of Florence, among many more of smaller size.

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“Italy in Hollywood,” exhibition at Museo Salvatore Ferragamo of Florence

“Italy in Hollywood,” exhibition at Museo Salvatore Ferragamo of Florence

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The years from 1915 to 1927, which Salvatore Ferragamo spent in California, are the source of inspiration for the new exhibition hosted by Museo Salvatore Ferragamo, focusing on the presence of Italians in that area and their influence on various sectors, from art to craftsmanship, and in the nascent film industry. The exhibition begins with the 1915 Panama-Pacific International Exposition in San Francisco, where the Italian Pavilion designed by Marcello Piacentini consolidated the Americans’ appreciation for Italian art and architecture.…

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Franco Zeffirelli Museum, seven decades of treasures

Franco Zeffirelli Museum, seven decades of treasures

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The career of Franco Zeffirelli as cinema director, designer and producer of operas, theatre, cinema and Italian television has been honoured since October 2017 with a museum in the city centre, where the old Court of Florence used to seat. “The venue houses seventy years of treasures collected and made alive,” says the director’s son, Pippo Zeffirelli, executive vice president of the foundation managing the artist’s legacy. The museum houses more than 250 masterpieces by Zeffirelli among sketches, drawings, paintings, costumes and even the planning of a great project that never took place: the film adaptation of The Divine Comedy. The exhibition, divided chronologically into prose narrative, theatre, opera and cinema, reflects upon the development of theatrical installations and film productions, through themes and authors, together with fixed images, exemplifying all the main stages of the artistic career of Zeffirelli.
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Cloisters of Florence: the great scape

Cloisters of Florence: the great scape

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Florence does not stand as a vulgar Renaissance theme park, but rather as an infinite source of beauty and art, an open-air museum in which emotions grow by every minute. As I walk through the cloisters of Santa Maria Novella, San Lorenzo, San Marcos, Santa Croce or Santo Spirito, peace and solitude seem very tangible to me. However, what most hypnotizes me is rather more radical. In these religious courtyards, with their gallery portrayed on all four sides, it is easy to feel as if you had left this world, not minding at all how to return, while you are busy imagining your next sins and who will be part of them.…

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“The Cleaner:” Marina Abramović at Palazzo Strozzi

“The Cleaner:” Marina Abramović at Palazzo Strozzi

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Florence is alive and wants to express itself. Fondazione Palazzo Strozzi presents a retrospective of world-wide acclaimed performance artist Marina Abramović. The show opens its doors on September 21, the same day that L’Eredità delle Donne festival begins. During four months, till January 20, 2019, Florence and particularly the Palazzo Strozzi hosts an exhibition that pays tribute to the fifty-year career of one of the heavyweights of Action Art. She is the first woman that has a “solo exhibition” at the Palazzo Strozzi.…

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Primo Conti, exhibition at Villa Bardini in Florence

Primo Conti, exhibition at Villa Bardini in Florence

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The current exhibition at Villa Bardini, “Fanfare e silenzi. Viaggio nella pittura di Primo Conti,” is dedicated to the Florentine painter Umberto Primo Conti. Thirty years after his death, the show wants to illustrate and celebrate the artistic career of Conti, painter, composer and writer who belonged to the Italian avant-garde movement Futurism. In a chronological itinerary through the rooms of Villa Bardini, the display is divided into eight thematic sections, that correspond the different phases of Conti’s artistic career. Besides that, his oeuvre has been contextualized through the dialogue with artworks by other artists — teachers, friends, classmates … — connected with his creations. This relational exhibition responds to Conti’s own attitude, as he wanted to preserve not only his legacy but also the collective memory of an artistic period as extraordinary and flourishing as the Florence prior World War I. Until January 13, 2019.

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“BANKSY – This is not a photo opportunity,” Banksy at Palazzo Medici Riccardi

“BANKSY – This is not a photo opportunity,” Banksy at Palazzo Medici Riccardi

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There is no doubt that if Banksy had lived during the Renaissance in Florence, the Medici would have been his patrons — they were the Maecenas of most of the art produced in Florence at that time. Any case, supposedly, Banksy artworks do not belong to anyone, but to the cities public space where he intervenes. However, the system devours everything, yet the supposed “anti-system” expressions as the graffiti made by Banksy. A proof of this is the exhibition organized at Palazzo Medici Riccardi, opened until February 24, 2019. Curated by Gianluca Marziani and Stefano S. Antonelli, the show brings together twenty images of Banksy’s most iconic pieces, those that won world fame due to its thematic: capitalism, war, surveillance, or massive migratory movements.…

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