Villa La Pietra is currently the headquarters of New York University (NYU) in Italy. Its garden is by far my favourite private garden in Florence and it is one of the most renowned in Italy. Built by the Acton Family between 1908 and the beginning of the Second World War, its design is very much inspired by the real Renaissance gardens of Florence, though it also contains elements of the many gardening trends and styles popular since then.…
The Boboli Gardens date back to 1418 when Luca Pitti bought its land in Oltrarno intending to build the magnificent Pitti Palace, later owned by the Medici family. The Medici commissioned the landscaping to Niccolò Tribolo, the famous architect responsible for the gardens of their villas of Castello and La Petraia. However, after the premature death of Tribolo, it was Bartolomeo Ammannati who finished the job. The Boboli is the paradigm of the 16th-century Italian garden, as well as one of the most significant historical parks in Florence. Around the principal axes are placed avenues, hedges, terraces full of statues and fountains. The first operas of history were also represented in its open-air amphitheatre.
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In this less-traveled park, not especially projected to attract tourists, on a Saturday noon you will find a couple of people lying on the benches sunbathing, reading, drinking beer or walking dogs. The fact that it looks semi-abandoned gives it an attractive decadent appearance. Formerly the Fabbricotti villa and the park belonged to the Strozzi family.…
It is said that Cosimo I de’ Medici built an underground tunnel from Boboli gardens and Palazzo Pitti passing under Torrigiani and Corsi Annalena gardens to go to the Florentine country side without being seen and molested. This last one, a small size private garden takes its name from countess Anna Elena Malatesta, whose adjacent palace is today the legendary Pensione Annalena. At the end of 18th century, the garden was acquired by the Corsi family, hence its actual name Corsi Annalena, and designed by the architect Giuseppe Manetti. It is located in Oltrarno, between Via dei Serragli, Via de’ Mori and Via Romana, facing the Boboli gardens. Numerous terracotta sculptures representing different mythological characters ornament the green field. One of the fountains has a copy of Verrocchio’s Putto con delfino. The garden, with a uniform style inspired in the neoclassical cannons and indisputable beauty, has also a glasshouse. Beside its reduced sized, it has several semiprivate ambients that allow the visitor to isolate in an atmosphere prone to instant infatuation. Nowadays the garden Corsi Annalena is private and it is only open on special occasions.
To visit the gardens it is mandatory to call +39552280105 or send an email to scarsellistefania@yahoo.it
Giardino Corsi Annalena – Via Romana 38
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Born as an ‘experimental garden’ in the middle of the 19th century, the Via Bolognese park in northern Florence is today one of the most beloved and quiet places to visit during spring and summer. In addition to the renaissance Loggetta Bondi, in the giardino dell’Orticultura there is also a large glass and iron greenhouse, considered one of the most beautiful in Italy, as well as the rarest when built following design of Giacomo Roster. The greenhouse is used today for celebrating events, parties, food and cultural activities, while the garden houses the Municipal Library of Horticulture, hosting since 1862 horticultural exhibitions in order to promote the ‘knowledge of good horticultural practices.’ The feeling here is that of a ‘neighbourhood park,’ despite located not far from the tourist hustle in the historic centre. It has a bar with terrace which is frequented mostly by university students.
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The unexpected Florence is found in Porta al Prato, a surprise standing among the noise of the tram and the traffic, in Via della Scala. Here lies the garden-oasis at the back of Palazzo Corsini al Prato, an impressive but decadent building from 1590. Its garden is home to about 180 citrus trees (mostly lemon trees), as well as wisteria, lecithins, roses, tulips and peonies. Additionally, a hundred turtles roam freely around the land. This site is preserved from mass tourism and offers an unprecedented experience. Also, the garden hosts every May the exhibition of craftsmen of the palace.
(Via il Prato, 58 – EUR10 admission)…
The giardino delle Rose is one of the most beautiful panoramic gardens of Florence. Here bloom some varieties of roses even in late autumn. Created by the architect Giuseppe Poggi in 1865, the giardino delle Rose is nowadays a sculptural park of reduced dimensions. Located on the hill of San Miniato, just below the piazzale Michelangelo, this garden holds a privileged position and stands as a perfect «green balcony» towards San Niccolò. From this place it is possible to view the whole city at a glance. The garden of the Roses has around a thousand varieties of roses and other ornamental plants, in addition to twelve sculptures by Jean-Michel Folon. Here one can sunbathe, read, take a nap, walk and contemplate other not so typical architectural sites of the city.
Giardino delle Rose – Viale Giuseppe Poggi 2 – open from 9 a.m. to 8 p.m – free entrance
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The Garden of the Simples is the third oldest botanical garden in the world. It displays a rich variety of medicinal plants within its grounds and greenhouses, reaching up to nine thousand samples of Tuscan conifers, palm trees and edible plants, as well as exotic flora from different climates and countries. Today it belongs to the Museum of Natural History of the University of Florence, and is located next to the Basilica of San Marco. It was conceived in 1545 by Cosimo I de’ Medici as a space for complimentary lessons to students from the nearby medical school. Nowadays, rather than by tourists, this green space is most frequented by school groups.
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The figure of the flâneur is associated with the rise of “urban life” and especially with Paris, one of the first major cities of the industrial era in which appeared the flâneur as the person who wanders through boulevards, shop windows, and passages. This wandering character was conceived by authors Baudelaire and Walter Benjamin, who defined the authentic flâneur as an attentive and wise voyeur, and far from being a frivolous, banal, idle, superficial and clueless passer-by, he is above all a deep observer of the city, a restless traveler with no definite direction, and a forerunner (without a camera) of the documentary photography.…
In Florence, a city that adores art as a religion and consumerism as an art, Christmas here, as in any other part of the world, is full of dreamers and depressed people. The majority of them have unattainable and hideous expectations about Christmas. While some strive to manifest an insurmountable aversion to all the commonplaces outlined in these days, for others, there is nothing comparable to the emotion and profound joy that Christmas time brings. For better or worse, Christmas produces a significant disruption in the spirit of almost everyone. Christmas decorates us and not the other way round. A golden ornament here and some coloured lights there and voilà: we are happy and feel terrific. We complain heavily about Christmas and the feigned happiness of all its acts without noticing that this superficiality and cult for appearance is what we do on a daily basis, too.
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