“The Cleaner:” Marina Abramović at Palazzo Strozzi

“The Cleaner:” Marina Abramović at Palazzo Strozzi

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Florence is alive and wants to express itself. Fondazione Palazzo Strozzi presents a retrospective of world-wide acclaimed performance artist Marina Abramović. The show opens its doors on September 21, the same day that L’Eredità delle Donne festival begins. During four months, till January 20, 2019, Florence and particularly the Palazzo Strozzi hosts an exhibition that pays tribute to the fifty-year career of one of the heavyweights of Action Art. She is the first woman that has a “solo exhibition” at the Palazzo Strozzi.…

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Primo Conti, exhibition at Villa Bardini in Florence

Primo Conti, exhibition at Villa Bardini in Florence

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The current exhibition at Villa Bardini, “Fanfare e silenzi. Viaggio nella pittura di Primo Conti,” is dedicated to the Florentine painter Umberto Primo Conti. Thirty years after his death, the show wants to illustrate and celebrate the artistic career of Conti, painter, composer and writer who belonged to the Italian avant-garde movement Futurism. In a chronological itinerary through the rooms of Villa Bardini, the display is divided into eight thematic sections, that correspond the different phases of Conti’s artistic career. Besides that, his oeuvre has been contextualized through the dialogue with artworks by other artists — teachers, friends, classmates … — connected with his creations. This relational exhibition responds to Conti’s own attitude, as he wanted to preserve not only his legacy but also the collective memory of an artistic period as extraordinary and flourishing as the Florence prior World War I. Until January 13, 2019.

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“Firenze secondo me:” Matteo Renzi presents his documentary about Florence

“Firenze secondo me:” Matteo Renzi presents his documentary about Florence

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Matteo Renzi, former prime minister of Italy, presents the documentary film Firenze secondo me about his view on Florence, the city where he was born and grew up, and of which he was mayor between 2009 and 2014. The Discovery Italia Nove channel will broadcast four chapters of 90 minutes starting on December 15 at 9:25 p.m.

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Casa Guidi, poet Elizabeth Barrett´s home in Florence

Casa Guidi, poet Elizabeth Barrett´s home in Florence

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Visiting a house-museum always embraces a closer emotional approach to the artist who lived there than just simply observe the works displayed in the neutral and dehumanized rooms of a museum. Casa Guidi was the Florentine residence of poets Elizabeth Barrett and Robert Browning for the most part of their married life. Located in the heart of Florence, the apartment has elegant main chambers with an 18th century decoration style and essentially maintains the same furniture that in the Brownings´ age. They resided here for fourteen years, between 1847 and 1861, and these interiors served as inspiration for some of their greatest poems, like Casa Guidi Windows (Elizabeth Barrett, 1851), inspired by her struggle for freedom.…

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Cappella Brancacci, the Sistine Chapel of Florence

Cappella Brancacci, the Sistine Chapel of Florence

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Beyond the streets crowded by the omnipresent tourists looking for Florentine gems from the Middle Ages and the Renaissance, there are less exploited corners of great historical and artistic richness as the Brancacci Chapel, also known as the “Sistine Chapel of the first Renaissance”. The paintings on the walls are among the most popular and influential frescoes at the time. They are distributed in two horizontal levels along the chapel, which is part of the Carmine church and convent, founded in Florence in the mid-thirteenth century by a group of Carmelite monks from Pisa. Located in Piazza del Carmine (Florence-Oltrarno), the Cappella Brancacci is one of the oldest monumental buildings in Florence. The frescoes illustrating the life of Saint Peter are masterpieces by Masaccio and Masolino, painted between 1425 and 1427, just in the early years of the Florentine Renaissance. Later on, Filippino Lippi was called to complete Masaccio’s chapel decoration, which had been left unfinished due to Masaccio’s death in 1428.

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Uncommon museums of Florence #3: Museo di Casa Martelli

Uncommon museums of Florence #3: Museo di Casa Martelli

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There is always an interesting spot to discover in Florence that keeps us away from the common repertoire, this is the case for the so-called Martelli’s House Museum. The Museo di Casa Martelli was a residential palace inhabited since the beginning of the 16th century by the bankers family Martelli. In 1986, Francesca Martelli, last family member living there, left the house to the Curia of Florence. In 1998, the Curia sold the palace to the Italian State and it became a museum in 2009. From that point on, the palace is a state civic museum that displays the remains of the Martelli family valuable art collection, as well as the house frescoes.…

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Uncommon museums of Florence #2: Stefano Bardini Museum

Uncommon museums of Florence #2: Stefano Bardini Museum

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Stefano Bardini (1854-1922) was a prominent Italian antiquary who decided to transform his collection into a museum and donate it to the city of Florence. The building, a magnificent palace eclectic in style, where the museum has its headquarters, was acquired and restored by Bardini in 1881, in order to be used for his antiquarian trade activity. The antiquary modified the structure adding new gates and stairs, used medieval and Renaissance stones, chimneys, in addition, he affixed painted coffered ceilings. Bardini transformed the old building — the former church and convent of San Gregorio della Pace — into a wonderful neo-Renaissance villa, where, besides the exhibition halls, there were workshops so that the pieces were restored before selling them.

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‘Steve McCurry. Icons,’ photo exhibition at Villa Bardini

‘Steve McCurry. Icons,’ photo exhibition at Villa Bardini

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On view until September 16, Villa Bardini presents a retrospective dedicated to the artist Steve McCurry (Darby, Pensilvania, 1950), one of the great masters of contemporary and documentary photography. Curated by Biba Giacchetti, the exhibition entitled Steve McCurry. Icons displays more than a hundred photographs featuring the best works of the North American photographer produced during his extensive career spanning over forty years. The exhibition takes visitors on a symbolic journey through countries like India, Afghanistan, Burma, Japan, Cuba or Brazil across the complex universe full of experiences and emotions carried in McCurry’s images.
Steve McCurry. Icons – Villa Bardini – Costa San Giorgio 2, Florence (admission: 10 EUR)

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Pontormo at Palazzo Pitti: from drawing to painting

Pontormo at Palazzo Pitti: from drawing to painting

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The exhibition Incontri miracolosi: Pontormo dal disegno alla pittura (Miraculous Encounters: Pontormo from drawing to painting) presents a series of works of outstanding importance, most of which are here displayed for the first time together. Thirty years after it was last here, the return visit to Florence of the Halberdier (1494- 1557) is the perfect occasion for an exhibition dedicated to Pontormo. This magnificent portrait by Pontormo, acquired by the Getty Museum of Los Angeles in 1989 for the then record-breaking sum of $32.5 million, now finds itself back in its home town of Florence. It’s the centre piece of the exhibition curated by Bruce Edelstein, which is now on show in the Sala delle Nicchie in Palazzo Pitti until 29th July 2018. Displayed along with the Halberdier, there is also the Portrait of a Young Man in a Red Cap, among other master pieces.

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Exhibition at Palazzo Strozzi: “Down of a Nation. From Guttuso to Fontana and Schifano”

Exhibition at Palazzo Strozzi: “Down of a Nation. From Guttuso to Fontana and Schifano”

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Until 22nd July 2018, Palazzo Strozzi is hosting the exhibition Dawn of a Nation. From Guttuso to Fontana and Schifano, a truly mesmerising exploration of art, politics and society in Italy from the 1950s to the protest years in the late ’60s, with eighty works of art by such masters as Renato Guttuso, Lucio Fontana, Alberto Burri, Emilio Vedova, Piero Manzoni, Mario Schifano, Mario Merz and Michelangelo Pistoletto. The exhibition, curated by Luca Massimo Barbero, illustrates the effervescence of Italian culture after World War II, the years of the so-called “economic miracle” that marked a major transformation in Italian society, up until the fateful year of 1968. The exhibition takes visitors on a journey setting out from the diatribe between Realism and Abstraction, continuing on to the triumph of Informal Art and leading through the images, gestures and figures of Pop Art in strident juxtaposition with the experimental vision of monochromatic painting, right up to the language of Arte Povera and of Conceptual Art.…

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